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The Chapelle is a pretty little place, tiny in fact, whitewashed inside and now used for exhibitions and occasional concerts. I played a mixed concert for lute, baroque guitar and classical guitar, which I always enjoy doing, although practising three different instruments for one concert can be a challenge.
I took a bit of a risk programming Benjamin Britten's Nocturnal, a big work for classical guitar, at the end of what was otherwise an early music programme, and was pleased that it went down really well. Nocturnal is based on a song by John Dowland from 1597, Come Heavy Sleep, and I like that connection between old and new. I'm playing a mini-recital for the Lute Society later this month, at their residential weekend course in Yorkshire, so I'm planning to do the same for them and hope that they appreciate it!
I met some interesting characters there, including an American artist who divides his year between his places in France, New York and Hawaii. Lovely man, and very knowledgeable about music. My host was a friendly Scottish potter who ran a restaurant in Fitou for twenty years.
1 comment:
Peter, any chance you could publish a taster of your mouth-watering programme?e.g. the sort of extract Amazon publishes next records they are selling..
Should you wish to swap your piano crapaud for un piano éléphant, we shall have to shed our 1898 C Bechstein when we finally move house, if you can get it into your petit chateau (dixit Lowri)
Humphrey
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