Wednesday, September 12, 2007
Éducation, éducation, éducation
For the rentrée last week, President Sarkozy has issued a thirty-page Lettre aux Éducateurs. Addressed to all teachers - and indeed parents - it sets out, in stirring and inspiring language, why everything is wrong with the current school system and how it all needs to change. Expect a winter of discontent and strikes.
Monday, September 10, 2007
More cute animals
Right now, what is a "tatou" in French?
It's not a tattoo - that's a 'tatouage'.
It's not the star of Amélie and of the da Vinci Code - she's Audrey Tautou.
Here's a clue.
Of course. It's an armadillo.
And a 'piano crapaud'? It's the less than respectful word for a baby grand piano like ours. A toad piano, indeed....
It's not a tattoo - that's a 'tatouage'.
It's not the star of Amélie and of the da Vinci Code - she's Audrey Tautou.
Here's a clue.
Of course. It's an armadillo.
And a 'piano crapaud'? It's the less than respectful word for a baby grand piano like ours. A toad piano, indeed....
Wednesday, September 05, 2007
After being bitten by a radioactive spider, young Peter Parker...
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Update: Thanks to the magic of the internet, I have identified this beast as a female - i.e. big - Argiope bruennichi. All the web :-) pages about it seem to be in French, so I guess it is a local resident.
Monday, September 03, 2007
3,000 years before Obélix
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Our friends think they may have found another buried menhir in the woods a couple of hundred yards from their house. The shape certainly looks promising. The children lent a hand with the excavation.
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Saturday, September 01, 2007
Fitou
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The Chapelle is a pretty little place, tiny in fact, whitewashed inside and now used for exhibitions and occasional concerts. I played a mixed concert for lute, baroque guitar and classical guitar, which I always enjoy doing, although practising three different instruments for one concert can be a challenge.
I took a bit of a risk programming Benjamin Britten's Nocturnal, a big work for classical guitar, at the end of what was otherwise an early music programme, and was pleased that it went down really well. Nocturnal is based on a song by John Dowland from 1597, Come Heavy Sleep, and I like that connection between old and new. I'm playing a mini-recital for the Lute Society later this month, at their residential weekend course in Yorkshire, so I'm planning to do the same for them and hope that they appreciate it!
I met some interesting characters there, including an American artist who divides his year between his places in France, New York and Hawaii. Lovely man, and very knowledgeable about music. My host was a friendly Scottish potter who ran a restaurant in Fitou for twenty years.
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