Thursday, July 19, 2007

Fame and fortune beckon

The COQ sampler CD has been reviewed in Lute News issue 82, July 2007. They like it....


The Chuckerbutty Ocarina Quartet
, www.seaviewmusic.co.uk

Just occasionally a reviewer is given something so weird it's wonderful. One of this lot is our own Peter Martin (who presumably reckoned if Lute News wouldn't review it then no-one would!). Another appears from the photograph to be Kenneth Clarke, but maybe that's wishful thinking. Authentic repertoire for such an ensemble being thin on the ground, the quartet have drawn widely, from 18th, 19th and traditional 20th century sources. We open with Offenbach's can-can, played as near to straight as it can be in the circumstances. An Andean piece has three ocarinas and a charango (vegetarians look away now: it's a sort of mandolin with an armadillo shell for a bowl) together with some odd shrieks. A fade-out extract of the finale to Beethoven's First Symphony might well have made the old boy glad he went deaf. The nearest we get to Lutesoc standard repertoire is 'Ungaresca' - the lowing sound of four fat cowhorns. A Bulgarian piece with guitar goes at a hell of a lick. 'Pizzicato Polka' offers 'the sound of the Viennese plucked ocarina' (meriting a Zen round of applause, everybody's one hand clapping?). The longest piece is the finale. The Hallelujah Chorus on crumhorn, melodica and ocarina.

What can I possibly say? The playing is highly virtuosic. Humour in music is notoriously hard to pull off - though the word means 'joke', when did you last giggle at a Brahms Scherzo? Here it works brilliantly, and doesn't go on too long. The whole disc takes less than 10 minutes. My only regret is that the sleeve photograph shows and text refers to them playing Schubert on four rubber trout, but that's not on the record. Get hold of it, and give a copy to someone you like very much.

Meic Goodyear

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